Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Portraits dans un Bureau,Nouvelle Orleans oil painting


Portraits dans un Bureau,Nouvelle Orleans
mk94 1873
Painting ID::  34619 		Edgar Degas
Portraits dans un Bureau,Nouvelle Orleans
mk94 1873
   
   
     
Edgar Degas L-Absintbe oil painting


L-Absintbe
mk94 1876
Painting ID::  34620 		Edgar Degas
L-Absintbe
mk94 1876
   
   
     
Edgar Degas Acbille de Gas en Aspirant de Marine oil painting


Acbille de Gas en Aspirant de Marine
mk94 1856-57
Painting ID::  34644 		Edgar Degas
Acbille de Gas en Aspirant de Marine
mk94 1856-57
   
   
     
Edgar Degas M.et M Edmond Morbilli oil painting


M.et M Edmond Morbilli
mk94 1865
Painting ID::  34645 		Edgar Degas
M.et M Edmond Morbilli
mk94 1865
   
   
     
Edgar Degas Henri de Gas et sa niece Lucy oil painting


Henri de Gas et sa niece Lucy
mk94 1876
Painting ID::  34646 		Edgar Degas
Henri de Gas et sa niece Lucy
mk94 1876
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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